The surface is markedly smooth, due to a dedicated technique that puts no dust or sand beneath the mould. The yellow tone stems from the mixture of turchina and giglia, two different clays typical of the Impruneta district.

Vellutato giallo capalbio

The surface is markedly smooth, due to a dedicated technique that puts no dust or sand beneath the mould. The yellow tone stems from the mixture of turchina and giglia, two different clays typical of the Impruneta district.

Hand-processed floorings

Formats

Sizes in cm

Rectangle

14 × 28 × 1.8
14 × 28 × 2.5
15 × 30 × 1.8
15 × 30 × 2.5
18 × 36 × 2.5
20 × 40 × 3.2

Square

15 × 15 × 1.8
19 × 19 × 1.8
19 × 19 × 2.5
25 × 25 × 1.8
25 × 25 × 2.5
30 × 30 × 2.5

Hexagon

side 8
side 13

Composizione Portofino

inner circle ⌀ 9

Skirting board

8 × 30
11 × 33

Step tread with bullnose

18 × 36 × 3
25 × 35 × 3

More

Corner for step tread

18 × 36 × 3
35 × 35 × 3

Edge for terrace

30 × 15 × 5 – thk 1.8
30 × 15 × 5 – thk 2.5

Projects

Vellutato giallo capalbio

Fondazione Maeght

Art Foundation

Saint-Paul-de-Vence, France

Project: Silvio d’Ascia Architecture

Photo: Sergio Grazia

Splendido Mare

A Belmond Hotel

Portofino, Italy

Project: Festen Architecture

Photo: Mattia Aquila

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